CHARM Symposium 4: Methods for analysing recordings
Royal Holloway, University of London, Egham - 12-14 April 2007
This symposium explored ways to extract musicologically interesting data off recordings, and what to do with the data collected. Discussions examined these issues in relation to Western 'art', popular, and world music.
Click here to access the programme information, abstracts and titles.
Click on the links below to view the available presentations from CHARM Symposium 4 (please note that for copyright reasons, music examples listed in the papers may not be available to download):
- Per Dahl, Tidying up tempo variations in Grieg's Op. 5 No. 3 (pdf file)
- Nicolas Donin, Studying recordings of performances, capturing the musical experience of the analyst (pdf file)
- Andrew Earis, Semi-automated extraction of expressive performance information from acoustic recordings of piano music (pdf file)
- Gerhard Widmer, On the potential of AI and Machine learning for music performance analysis (pdf file)
- Georgia Volioti, Report from symposium 4 (pdf file)