CHARM publications

Arranged alphabetically by individual:

 

C

  • Clarke, Eric. 'The impact of recording on listening', twentieth-century music 4 (2007), 47-70.
  • Clarke, Eric. Ways of Listening. An Ecological Approach to the Perception of Musical Meaning. (New York: Oxford University Press, 2005).
  • Clarke, Eric. 'Creativity in performance', Musicae Scientiae 9 (2005), 157-82.
  • Clarke, Eric and Nicholas Cook (eds.). Empirical Musicology: Aims, Methods, Prospects. (Oxford: Oxford University Press, 2004).
  • Cook, Nicholas. 'The economics and business of music', in An Introduction to Music Studies, ed. Paul Harper-Scott and Jim Samson (Cambridge: Cambridge University Press, 2008), 267-90.
  • Cook, Nicholas. 'Beyond reproduction: semiotic perspectives on musical performance', Zeitschrift für Semiotik, special issue 'Zeichen jenseits von Bezeichnung. Musiksemiotische Konzepte' (forthcoming). [in German]
  • Cook, Nicholas. 'The ghost in the machine: towards a musicology of recordings', Musicae Scientiae (forthcoming).
  • Cook, Nicholas. 'Song into video into film: "Bohemian Rhapsody", "Wayne's World" and beyond', in The Cambridge Companion to Film Music, ed. Peter Franklin and Robynn Stilwell (Cambridge: Cambridge University Press, forthcoming).
  • Cook, Nicholas. 'Off the record: performance, history, and musical logic', in Music and the Mind: Investigating the Functions and Processes of Music, ed. Irène Deliege (Oxford: Oxford University Press, forthcoming). German translation in Musik.Theorien der Gegenwart, ed. Clemens Gadenstätter and Christian Utz, (Saarbrücken: PFAU-Verlag, forthcoming).
  • Cook, Nicholas. 'Bridging the unbridgeable? Empirical musicology and interdisciplinary performance studies', in New Perspectives on Performance Studies: Music across the Disciplines, ed. Nicholas Cook and Richard Pettengill (Ann Arbor: Michigan University Press, forthcoming).
  • Cook, Nicholas. 'Objective expression: phrase arching in recordings of Chopin's Mazurkas', in Reactions to the Record: Perspectives on Historical Performance, ed. George Barth and Kumaran Arul (forthcoming). Abridged version: 'Squaring the circle: phrase arching in recordings of Chopin's mazurkas', Musica Humana (forthcoming).
  • Cook, Nicholas. 'Methods for analysing recordings', in The Cambridge Companion to Recorded Music, ed. Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson and John Rink (Cambridge: Cambridge University Press, forthcoming).
  • Cook, Nicholas. 'Changing the musical object: approaches to performance analysis', in Music's Intellectual History: Founders, Followers and Fads, ed. Zdravko Blazekovic (New York: RILM, forthcoming).
  • Cook, Nicholas. 'Beyond the notes', Nature 453 (26 June 2008), 1186-7.
  • Cook, Nicholas. Music, Performance, Meaning: Selected Essays (Aldershot: Ashgate, 2007).
  • Cook, Nicholas. 'Representing Beethoven: romance and sonata form in Simon Cellan Jones's Eroica', in Beyond the Soundtrack: Representing Music in Cinema, ed. Daniel Goldmark, Lawrence Kramer, and Richard Leppert (Berkeley: University of California Press, 2007), 27-47.
  • Cook, Nicholas. 'Between science and art: approaches to recorded music' [introduction] and 'Performance analysis and Chopin's mazurkas', Musicae Scientiae 11/2 (2007), 153-4, 183-207. 'Performance analysis and Chopin’s mazurkas' also published in Chopin in Paris: the 1830s (Warsaw: Narodowy Instytut Fryderyka Chopina, 2009), 119-39.
  • Cook, Nicholas. 'Border crossings: a commentary on Henkjan Honing's "On the growing role of observation, formalization and experimental method in musicology"', Empirical Musicology Review 1 (2006), 7-11. [inaugural issue]
  • Cook, Nicholas. 'Prompting performance: text, script, and analysis in Bryn Harrison’s être-temps', Music Theory Online 11/1 (March 2005).
  • Cook, Nicholas. 'Making music together, or improvisation and its others', The Source: Challenging Jazz Criticism 1 (2004), 5-25. Portuguese translation in Per Music 16 (2007), 7-20.
  • Cook, Nicholas and Richard Pettengill, Music as Performance: New Perspectives Across the Disciplines (Ann Arbor: University of Illinois Press, forthcoming).
  • Cook, Nicholas and Craig Sapp. 'Une pure coïncidence? Joyce Hatto et les mazurkas de Chopin', trans. Jean-François Cornu, L'étincelle: Le journal de la création à l'IRCAM 3 (2008), 19-21. [English version here]
  • Cook, Nicholas, Eric Clarke, Daniel Leech-Wilkinson, and John Rink (eds.), The Cambridge Companion to Recorded Music (Cambridge: Cambridge University Press, forthcoming).
  • Cook, Nicholas with Eric Clarke, Bryn Harrison, and Philip Thomas. 'Interpretation and performance in Bryn Harrison's être-temps', Musicae Scientiae 9 (2005), 31-74.

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E-P

  • Earis, Andrew. 'An algorithm to extract expressive timing and dynamics from piano recordings', Musicae Scientiae 11/2 (2007), 155-82.
  • Leech-Wilkinson, Daniel. 'Musicology and performance', in Music’s Intellectual History: Founders, Followers and Fads, ed. Zdravko Blazekovic (New York: RILM, forthcoming).
  • Leech-Wilkinson, Daniel. 'Performance style in Elena Gerhardt's Schubert song recordings', Musicae Scientiae (forthcoming).
  • Leech-Wilkinson, Daniel. 'Sound and meaning in recordings of Schubert's "Die junge Nonne"', Musicae Scientiae 11/2 (2007), 209-36.
  • Leech-Wilkinson, Daniel. 'Joyce Hatto: how the recordings were faked', International Record Review 7/7 (March 2007), 14-5.
  • Leech-Wilkinson, Daniel. 'Expressive gesture in Schubert singing on record', Nordisk Estetisk Tidskrift [Nordic Journal of Aesthetics] 33 (2006), 50-70.
  • Leech-Wilkinson, Daniel. 'Portamento and musical meaning', Journal of Musicological Research 25 (2006), 233-61.
  • Leech-Wilkinson, Daniel. 'Truly, music hath CHARMs', Classic Record Collector 41 (2005), 6.
  • Morgan, Nick. '"A new pleasure": listening to National Gramophonic Society records, 1924-1931', Musicae Scientiae (forthcoming).
  • Patmore, David. 'Recording and the Rattle phenomenon', in Recorded Music: Society, Technology and Performance, ed. Amanda Bayley (Cambridge: Cambridge University Press, forthcoming).
  • Patmore, David. 'Selling sounds', in The Cambridge Companion to Recorded Music, ed. Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson and John Rink (Cambridge: Cambridge University Press, forthcoming).
  • Patmore, David. ‘The Columbia Graphophone Company, 1923-1931: commercial competition, cultural plurality and beyond’, Musicae Scientiae (forthcoming)
  • Patmore, David. 'Albert Coates – a forgotten master’, Three Oranges: the Journal of the Serge Prokofiev Foundation (forthcoming).
  • Patmore, David. 'Delta Records, 1962-1964', Classic Record Collector 15 (forthcoming).
  • Patmore, David. The Columbia Graphophone Company, 1925-1931 (Sheffield: Department of Music, University of Sheffield, forthcoming). [CD-ROM]
  • Patmore, David. 'John Culshaw and the recording as a work of art', Journal of the Association of Recorded Sound Collections 39/1 (2008), 19-40.
  • Patmore, David. 'CHARM and the King’s College Archive – an interview with Andrew Halifax', Classic Record Collector 14, 58-61 (2008).
  • Patmore, David. 'Rudolf Schwarz: the musician’s musician', Classic Record Collector 14, 49-54 (2008).
  • Patmore, David. 'From Harrow to St. Petersburg - an interview with Michael J. Dutton', Classic Record Collector 14, 57-61 (2008).
  • Patmore, David. 'Taking the muck out of the music – an interview with Ted Kendall'. Classic Record Collector 14 (2008) 55-9.
  • Patmore, David. Piero Coppola: Autobiography, Biography, Discography, Sound Recordings (Sheffield: Department of Music, University of Sheffield, 2008). [CD-ROM]
  • Patmore, David. The A-Z of Conductors (Hong Kong: Naxos Educational, 2007).
  • Patmore, David. 'At the top of the tree - an interview with James Lock', Classic Record Collector 13/51 (Winter 2007), 56-60.
  • Patmore, David. 'Rarissima - Tchaikovsky at 162/3rpm', Classic Record Collector 13/51 (Winter 2007), 4.
  • Patmore, David. 'Digital spells dull - an interview with Jim Bostwick', Classic Record Collector 13/49 (Summer 2007), 56-7.
  • Patmore, David. Book review: 'Maestros, Masterpieces and Madness by Norman Lebrecht', Classic Record Collector 13/49 (Summer 2007), 65.
  • Patmore, David. 'The laughing discman - an interview with Roger Beardsley', Classic Record Collector 13/48 (Spring 2007), 52-3.
  • Patmore, David. 'Rarissima - Ernö von Dohnanyi', Classic Record Collector 13/48 (Spring 2007), 8.
  • Patmore, David. 'Rarissima - Toscanini's 1935 performance of Beethoven's Missa Solemnis', Classic Record Collector 12/47 (Winter 2006), 9.
  • Patmore, David. 'A testament to a legend - an interview with Paul Baily', Classic Record Collector 12/45 (Summer 2006), 53-5.
  • Patmore, David. 'Rarissima - Robert Sharples conducts for Phase 4', Classic Record Collector 12/45 (Summer 2006), 9.
  • Patmore, David. 'Rarissima - Anthony Bernard conducts the Brandenburg Concertos', Classic Record Collector 12/44 (Spring 2006), 9.
  • Patmore, David. Book review: 'Setting the Record Straight: A Material History of Classical Recording by Colin Symes', Leisure Studies 25/1 (January 2006), 115-7.
  • Patmore, David. 'His number always comes up - an interview with Alan Kelly', Classic Record Collector 11/43 (Winter 2005), 47-9.
  • Patmore, David. 'A catalogue of intellects - the history of the Society of Participating Artists record label - part 3', Classic Record Collector 11/42 (Autumn 2005), 34-9.
  • Patmore, David. 'Beecham - the final frontier', Classic Record Collector 11/42 (Autumn 2005), 28-33.
  • Patmore, David. 'Rarissima - Poldi Mildner', Classic Record Collector 11/42 (Autumn 2005), 9.
  • Patmore, David. 'The Third shall be first - the history of the Society of Participating Artists record label - part 2', Classic Record Collector 11/40 (Summer 2005), 39-43; Classic Record Collector 12/45 (Summer 2006), 9.
  • Patmore, David. 'Rarissima - the extended play disc', Classic Record Collector 10/41 (Summer 2005), 9.
  • Patmore, David. 'The Battler from Saratoga - the history of the Society of Participating Artists record label - part 1', Classic Record Collector 10/40 (Spring 2005), 38-43.
  • Patmore, David. 'F. Charles Adler and the SPA (Society of Participating Artists) record label', Classic Record Collector (Spring 2005).
  • Patmore, David. 'Rarissima: the use of personal cassette tape collections', Classic Record Collector (Autumn 2004).
  • Patmore, David. 'Musical chairs: the future of musical performance on CD', Classic Record Collector (Autumn 2004).
  • Patmore, David. 'Record buying in Helsinki', Classic Record Collector (Summer 2004).
  • Patmore, David and Eric Clarke. 'Making and hearing virtual worlds: John Culshaw and the art of record production', Musicae Scientiae 11/2 (2007), 269-93.
  • Patmore, David and Lonn Henrichsen. 'Assault on the summit - the history of Everest Records - part 2', Classic Record Collector 13/49 (Summer 2007), 41-5.
  • Patmore, David and Lonn Henrichsen. 'The ascent and descent of Everest Records - part 1', Classic Record Collector 13/48 (Spring 2007), 42-8.
  • Patmore, David with Tully Potter. ‘The ears have it - an interview with Mark Obert-Thorn’, Classic Record Collector 12/47 (Winter 2006), 64-7.
  • Patmore, David with Tully Potter. 'Rarissima - Nan Merriman', Classic Record Collector 11/43 (Winter 2005), 9.

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R-V

  • Rink, John. 'Psychology of music', in An Introduction to Music Studies, ed. Paul Harper-Scott and Jim Samson (Cambridge: Cambridge University Press, 2008), 59-78.
  • Rink, John (ed.). L’esecuzione musicale (Milan: Rugginenti Editore, 2008).
  • Rink, John. 'Análise e (ou?) performance', Cognição & artes musicais [Cognition & musical arts] 2/1 (2007), 25-43.
  • Rink, John. 'Chopin tot leven wekken', Pianowereld 23 (June/July 2007), 20-2.
  • Rink, John. 'Chopin in transition', in La note bleue, ed. Jacqueline Waeber (Bern: Peter Lang, 2006), 45-71.
  • Rink, John. 'Work in progress: l'oeuvre infini(e) de Chopin', in Interpréter Chopin, ed. Jean-Jacques Eigeldinger (Paris: Cité de la Musique, 2006), 82-90.
  • Rink, John (ed.). La interpretación musical, trans. Barbara Zitman (Madrid: Alianza Editorial, 2006).
  • Rink, John. 'Chopin and the technique of performance', in Chopin in Performance: History, Theory, Practice, ed. Artur Szklener (Warsaw: Narodowy Instytut Fryderyka Chopina, 2005), 225-38.
  • Rink, John. 'Les concertos de Chopin et la notation de l'exécution', in Frédéric Chopin, interprétations, ed. Jean-Jacques Eigeldinger (Geneva: Droz, 2005), 69-88.
  • Rink, John. 'Analyzing rhythmic shape in Chopin's E major Etude', in Analytical Perspectives on the Music of Chopin, ed. Artur Szklener (Warsaw: Narodowy Instytut Fryderyka Chopina, 2004),125-38.
  • Rink, John. 'The state of play in performance studies', in The Music Practitioner, ed. Jane Davidson (Aldershot: Ashgate, 2004), 37-51.
  • Rink, John. 'The final score?', BBC Music Magazine (2004), 30-3.
  • Rink, John, Neta Spiro and Nicolas Gold. ‘Motive, gesture and the analysis of performance’, in New Perspectives on Music and Gesture, ed. Anthony Gritten and Elaine King (Aldershot: Ashgate, forthcoming).
  • Sapp, Craig. 'Performance authenticity: a case study of the Concert Artist label', paper presented at the ARSC Conference 2009, Stanford (http://www.arsc-audio.org/conference/audio2008/mp3/23-sapp.mp3)
  • Sapp, Craig. 'Hybrid numeric/rank similarity metrics for musical performance analysis', paper presented at ISMIR 2008, Philadelphia (http://ismir2008.ismir.net/papers/ISMIR2008_240.pdf)
  • Sapp, Craig. 'Comparative analysis of multiple musical performances', in Proceedings of the International Conference on Music Information Retrieval (ISMIR) 2007 (Vienna, Austria), 497-500.
  • Sapp, Craig. 'Mazurkas project report', RMA Newsletter (Autumn 2006).
  • Spiro, Neta. 'Effects of structural and performance features on phrase perception: "Die Alte Weise" from Wagner's Tristan und Isolde', in Proceedings of the Inaugural International Conference on Music Communication Science (ICoMCS), ed. Emery Schubert et al (Sydney: ARC Research Network in Human Communication Science (HCSNet), 2007).
  • Spiro, Neta, Nicolas Gold and John Rink. ‘The form of performance: analyzing pattern distribution in select recordings of Chopin’s Mazurka Op. 24 No. 2’, Musicae Scientiae (forthcoming).
  • Spiro, Neta, Nicolas Gold and John Rink. ‘Plus ça change: analyzing performances of Chopin’s Mazurka Op. 24 No. 2’, in Proceedings of 10th International Conference on Music Perception and Cognition, ed. Ken’ichi Miyazaki et al (Sapporo: ICMPC10, 2008), 418-27.
  • Spiro, Neta, Nicolas Gold and John Rink. ‘Performance motives: analysis and comparison of performance timing repetitions using pattern matching and Formal Concept Analysis’, in Proceedings of the International Symposium on Performance Science, ed. Aaron Williamon and Daniela Coimbra (Utrecht: European Association of Conservatoires, 2007), 175-80.
  • Spiro, Neta, Nicolas Gold and John Rink. ‘In search of motive: identification of repeated patterns in performance and their structural context’, in Proceedings of the Inaugural International Conference on Music Communication Science (ICoMCS), ed. Emery Schubert et al (Sydney: ARC Research Network in Human Communication Science (HCSNet), 2007), 152-4.
  • Timmers, Renee. 'Vocal expression in recorded performances of Schubert songs', Musicae Scientiae 11/2 (2007), 237-68.
  • Timmers, Renee. 'Communication of (e)motion through performance: two case studies', Orbis Musicae 14 (2007), 116-40. [special issue on performance]
  • Timmers, Renee. 'Perception of music performance on historical and modern commercial recordings', Journal of the Acoustical Society of America 122/5 (2007), 2872-80.
  • Volioti, Georgia. 'Playing with tradition: weighing up similarity and the buoyancy of the game', Musicae Scientiae (forthcoming).
  • Volioti, Georgia. Book review: 'Repetition in Music: Theoretical and Metatheoretical Perspectives by Adam Ockelford', Musicae Scientiae 11/2 (2007), 325-30.