CHARM publications

Document Contents

 

2009 onwards

  • Cook, Nicholas. 'Beyond reproduction: semiotic perspectives on musical performance', Zeitschrift für Semiotik, special issue 'Zeichen jenseits von Bezeichnung. Musiksemiotische Konzepte' (forthcoming). [in German]
  • Cook, Nicholas. 'The ghost in the machine: towards a musicology of recordings', Musicae Scientiae (forthcoming).
  • Cook, Nicholas. 'Song into video into film: "Bohemian Rhapsody", "Wayne's World" and beyond', in The Cambridge Companion to Film Music, ed. Peter Franklin and Robynn Stilwell (Cambridge: Cambridge University Press, forthcoming).
  • Cook, Nicholas. 'Off the record: performance, history, and musical logic', in Music and the Mind: Investigating the Functions and Processes of Music, ed. Irène Deliege (Oxford: Oxford University Press, forthcoming). German translation in Musik.Theorien der Gegenwart, ed. Clemens Gadenstätter and Christian Utz, (Saarbrücken: PFAU-Verlag, forthcoming).
  • Cook, Nicholas. 'Bridging the unbridgeable? Empirical musicology and interdisciplinary performance studies', in New Perspectives on Performance Studies: Music across the Disciplines, ed. Nicholas Cook and Richard Pettengill (Ann Arbor: Michigan University Press, forthcoming).
  • Cook, Nicholas. 'Objective expression: phrase arching in recordings of Chopin's Mazurkas', in Reactions to the Record: Perspectives on Historical Performance, ed. George Barth and Kumaran Arul (forthcoming). Abridged version: 'Squaring the circle: phrase arching in recordings of Chopin's mazurkas', Musica Humana (forthcoming).
  • Cook, Nicholas. 'Methods for analysing recordings', in The Cambridge Companion to Recorded Music, ed. Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson and John Rink (Cambridge: Cambridge University Press, forthcoming).
  • Cook, Nicholas. 'Changing the musical object: approaches to performance analysis', in Music's Intellectual History: Founders, Followers and Fads, ed. Zdravko Blazekovic (New York: RILM, forthcoming).
  • Cook, Nicholas. 'The economics and business of music', in An Introduction to Music Studies, ed. Paul Harper-Scott and Jim Samson (Cambridge: Cambridge University Press), 267-90.
  • Cook, Nicholas and Richard Pettengill, Music as Performance: New Perspectives Across the Disciplines (Ann Arbor: University of Illinois Press, forthcoming).
  • Cook, Nicholas, Eric Clarke, Daniel Leech-Wilkinson, and John Rink (eds.), The Cambridge Companion to Recorded Music (Cambridge: Cambridge University Press, forthcoming).
  • Leech-Wilkinson, Daniel. 'Musicology and performance', in Music’s Intellectual History: Founders, Followers and Fads, ed. Zdravko Blazekovic (New York: RILM, forthcoming).
  • Leech-Wilkinson, Daniel. 'Performance style in Elena Gerhardt's Schubert song recordings', Musicae Scientiae (forthcoming).
  • Morgan, Nicholas. '"A new pleasure": listening to National Gramophonic Society records, 1924-1931', Musicae Scientiae (forthcoming).
  • Patmore, David. 'Recording and the Rattle phenomenon', in Recorded Music: Society, Technology and Performance, ed. Amanda Bayley (Cambridge: Cambridge University Press, forthcoming).
  • Patmore, David. 'Selling sounds', in The Cambridge Companion to Recorded Music, ed. Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson and John Rink (Cambridge: Cambridge University Press, forthcoming).
  • Patmore, David. ‘The Columbia Graphophone Company, 1923-1931: commercial competition, cultural plurality and beyond’, Musicae Scientiae (forthcoming).
  • Patmore, David. 'Albert Coates – a forgotten master’, Three Oranges: the Journal of the Serge Prokofiev Foundation (forthcoming).
  • Patmore, David. 'Delta Records, 1962-1964', Classic Record Collector 15 (forthcoming).
  • Patmore, David. The Columbia Graphophone Company, 1925-1931 (Sheffield: Department of Music, University of Sheffield, forthcoming). [CD-ROM]
  • Rink, John. 'Psychology of music', in An Introduction to Music Studies, ed. Paul Harper-Scott and Jim Samson (Cambridge: Cambridge University Press), 59-78.
  • Rink, John, Neta Spiro and Nicolas Gold. ‘Motive, gesture and the analysis of performance’, in New Perspectives on Music and Gesture, ed. Anthony Gritten and Elaine King (Aldershot: Ashgate, forthcoming).
  • Sapp, Craig. 'Performance authenticity: a case study of the Concert Artist label', paper presented at the ARSC Conference, Stanford (http://www.arsc-audio.org/conference/audio2008/mp3/23-sapp.mp3).
  • Spiro, Neta, Nicolas Gold and John Rink. ‘The form of performance: analyzing pattern distribution in select recordings of Chopin’s Mazurka Op. 24 No. 2’, Musicae Scientiae (forthcoming).
  • Volioti, Georgia. 'Playing with tradition: weighing up similarity and the buoyancy of the game', Musicae Scientiae (forthcoming).

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2008

  • Cook, Nicholas. 'Beyond the notes', Nature 453 (26 June), 1186-7.
  • Cook, Nicholas and Craig Sapp. 'Une pure coïncidence? Joyce Hatto et les mazurkas de Chopin', trans. Jean-François Cornu, L'étincelle: Le journal de la création à l'IRCAM 3, 19-21. [English version here]
  • Patmore, David. 'John Culshaw and the recording as a work of art', Journal of the Association of Recorded Sound Collections 39/1, 19-40.
  • Patmore, David. 'CHARM and the King’s College Archive – an interview with Andrew Halifax', Classic Record Collector 14, 58-61.
  • Patmore, David. 'Rudolf Schwarz: the musician’s musician', Classic Record Collector 14, 49-54.
  • Patmore, David. 'From Harrow to St. Petersburg - an interview with Michael J. Dutton', Classic Record Collector 14, 57-61.
  • Patmore, David. 'Taking the muck out of the music – an interview with Ted Kendall', Classic Record Collector 14, 55-9.
  • Patmore, David. Piero Coppola: Autobiography, Biography, Discography, Sound Recordings (Sheffield: Department of Music, University of Sheffield). [CD-ROM]
  • Rink, John (ed.). L’esecuzione musicale (Milan: Rugginenti Editore).
  • Sapp, Craig. 'Hybrid numeric/rank similarity metrics for musical performance analysis', paper presented at ISMIR, Philadelphia (http://ismir2008.ismir.net/papers/ISMIR2008_240.pdf).
  • Spiro, Neta, Nicolas Gold and John Rink. ‘Plus ça change: analyzing performances of Chopin’s Mazurka Op. 24 No. 2’, in Proceedings of 10th International Conference on Music Perception and Cognition, ed. Ken’ichi Miyazaki et al (Sapporo: ICMPC10), 418-27.

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2007

  • Clarke, Eric. 'The impact of recording on listening', twentieth-century music 4, 47-70.
  • Cook, Nicholas. Music, Performance, Meaning: Selected Essays (Aldershot: Ashgate).
  • Cook, Nicholas. 'Representing Beethoven: romance and sonata form in Simon Cellan Jones's Eroica', in Beyond the Soundtrack: Representing Music in Cinema, ed. Daniel Goldmark, Lawrence Kramer, and Richard Leppert (Berkeley: University of California Press), 27-47.
  • Cook, Nicholas. 'Between science and art: approaches to recorded music' [introduction] and 'Performance analysis and Chopin's mazurkas', Musicae Scientiae 11/2, 153-4, 183-207. 'Performance analysis and Chopin’s mazurkas' also published in Chopin in Paris: the 1830s (Warsaw: Narodowy Instytut Fryderyka Chopina, 2009), 119-39.
  • Earis, Andrew. 'An algorithm to extract expressive timing and dynamics from piano recordings', Musicae Scientiae 11/2, 155-82.
  • Leech-Wilkinson, Daniel. 'Sound and meaning in recordings of Schubert's "Die junge Nonne"', Musicae Scientiae 11/2, 209-36.
  • Leech-Wilkinson, Daniel. 'Joyce Hatto: how the recordings were faked', International Record Review 7/7 (March), 14-5.
  • Patmore, David. The A-Z of Conductors (Hong Kong: Naxos Educational).
  • Patmore, David. 'At the top of the tree - an interview with James Lock', Classic Record Collector 13/51 (Winter), 56-60.
  • Patmore, David. 'Rarissima - Tchaikovsky at 16⅔rpm', Classic Record Collector 13/51 (Winter), 4.
  • Patmore, David. 'Digital spells dull - an interview with Jim Bostwick', Classic Record Collector, 13/49 (Summer), 56-7.
  • Patmore, David. Book review: 'Maestros, Masterpieces and Madness by Norman Lebrecht', Classic Record Collector 13/49 (Summer), 65.
  • Patmore, David. 'The laughing discman - an interview with Roger Beardsley', Classic Record Collector 13/48 (Spring), 52-3.
  • Patmore, David. 'Rarissima - Ernö von Dohnanyi', Classic Record Collector 13/48 (Spring), 8.
  • Patmore, David and Eric Clarke. 'Making and hearing virtual worlds: John Culshaw and the art of record production', Musicae Scientiae 11/2, 269-93.
  • Patmore, David and Lonn Henrichsen. 'The ascent and descent of Everest Records - part 1', Classic Record Collector 13/48 (Spring), 42-8.
  • Patmore, David and Lonn Henrichsen. 'Assault on the summit - the history of Everest Records - part 2', Classic Record Collector 13/49 (Summer), 41-5.
  • Rink, John. 'Análise e (ou?) performance', Cognição & artes musicais [Cognition & musical arts] 2/1, 25-43.
  • Rink, John. 'Chopin tot leven wekken', Pianowereld 23 (June/July), 20-2.
  • Sapp, Craig. 'Comparative analysis of multiple musical performances', in Proceedings of the International Conference on Music Information Retrieval (ISMIR) (Vienna, Austria), 497-500.
  • Spiro, Neta. 'Effects of structural and performance features on phrase perception: "Die Alte Weise" from Wagner's Tristan und Isolde', in Proceedings of the Inaugural International Conference on Music Communication Science (ICoMCS), ed. Emery Schubert et al (Sydney: ARC Research Network in Human Communication Science (HCSNet)).
  • Spiro, Neta, Nicolas Gold and John Rink. ‘Performance motives: analysis and comparison of performance timing repetitions using pattern matching and Formal Concept Analysis’, in Proceedings of the International Symposium on Performance Science 2007, ed. Aaron Williamon and Daniela Coimbra (Utrecht: European Association of Conservatoires), 175-80.
  • Spiro, Neta, Nicolas Gold and John Rink. ‘In search of motive: identification of repeated patterns in performance and their structural context’, in Proceedings of the Inaugural International Conference on Music Communication Science (ICoMCS), ed. Emery Schubert et al. (Sydney: ARC Research Network in Human Communication Science (HCSNet)), 152-4.
  • Timmers, Renee. 'Vocal expression in recorded performances of Schubert songs', Musicae Scientiae 11/2, 237-68.
  • Timmers, Renee. 'Communication of (e)motion through performance: two case studies', Orbis Musicae 14, 116-40. [special issue on performance]
  • Timmers, Renee. 'Perception of music performance on historical and modern commercial recordings', Journal of the Acoustical Society of America 122/5 (2007), 2872-80.
  • Volioti, Georgia. Book review: 'Repetition in Music: Theoretical and Metatheoretical Perspectives by Adam Ockelford', Musicae Scientiae 11/2, 325-30.

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2006

  • Cook, Nicholas. 'Border crossings: a commentary on Henkjan Honing's "On the growing role of observation, formalization and experimental method in musicology"', Empirical Musicology Review 1, 7-11.
  • Leech-Wilkinson, Daniel. 'Expressive gesture in Schubert singing on record', Nordisk Estetisk Tidskrift [Nordic Journal of Aesthetics] 33, 50-70.
  • Leech-Wilkinson, Daniel. 'Portamento and musical meaning', Journal of Musicological Research 25, 233-61.
  • Patmore, David. 'Rarissima - Toscanini's 1935 performance of Beethoven's Missa Solemnis', Classic Record Collector 12/47 (Winter), 9.
  • Patmore, David. 'A testament to a legend - an interview with Paul Baily', Classic Record Collector 12/45 (Summer), 53-5.
  • Patmore, David. 'Rarissima - Robert Sharples conducts for Phase 4', Classic Record Collector 12/45 (Summer), 9.
  • Patmore, David. 'Rarissima - Anthony Bernard conducts the Brandenburg Concertos', Classic Record Collector 12/44 (Spring), 9.
  • Patmore, David. Book review: 'Setting the Record Straight: A Material History of Classical Recording by Colin Symes', Leisure Studies 25/1 (January), 115-7.
  • Patmore, David with Tully Potter. ‘The ears have it - an interview with Mark Obert-Thorn’, Classic Record Collector 12/47 (Winter), 64-7.
  • Rink, John. 'Chopin in transition', in La note bleue, ed. Jacqueline Waeber (Bern: Peter Lang), 45-71.
  • Rink, John. 'Work in progress: l'oeuvre infini(e) de Chopin', in Interpréter Chopin, ed. Jean-Jacques Eigeldinger (Paris: Cité de la Musique), 82-90.
  • Rink, John (ed.). La interpretación musical, trans. Barbara Zitman (Madrid: Alianza Editorial).
  • Sapp, Craig. 'Mazurkas project report', RMA Newsletter (Autumn).

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2005

  • Clarke, Eric. Ways of Listening. An Ecological Approach to the Perception of Musical Meaning (New York: Oxford University Press).
  • Clarke, Eric. 'Creativity in performance', Musicae Scientiae 9, 157-82.
  • Cook, Nicholas. 'Prompting performance: text, script, and analysis in Bryn Harrison’s être-temps', Music Theory Online 11/1 (March).
  • Cook, Nicholas with Eric Clarke, Bryn Harrison, and Philip Thomas. 'Interpretation and performance in Bryn Harrison's être-temps', Musicae Scientiae 9, 31-74.
  • Leech-Wilkinson, Daniel. 'Truly, music hath CHARMs', Classic Record Collector 41, 6.
  • Patmore, David. 'His number always comes up - an interview with Alan Kelly', Classic Record Collector 11/43 (Winter), 47-9.
  • Patmore, David with Tully Potter. 'Rarissima - Nan Merriman', Classic Record Collector 11/43 (Winter), 9.
  • Patmore, David. 'A catalogue of intellects - the history of the Society of Participating Artists record label - part 3', Classic Record Collector 11/42 (Autumn), 34-9.
  • Patmore, David. 'Beecham - the final frontier', Classic Record Collector 11/42 (Autumn), 28-33.
  • Patmore, David. 'Rarissima - Poldi Mildner', Classic Record Collector 11/42 (Autumn), 9.
  • Patmore, David. 'The Third shall be first - the history of the Society of Participating Artists record label - part 2', Classic Record Collector 11/40 (Summer), 39-43; Classic Record Collector 12/45 (Summer 2006), 9.
  • Patmore, David. 'Rarissima - the extended play disc', Classic Record Collector 10/41 (Summer), 9.
  • Patmore, David. 'The Battler from Saratoga - the history of the Society of Participating Artists record label - part 1', Classic Record Collector 10/40 (Spring), 38-43.
  • Patmore, David. 'F. Charles Adler and the SPA (Society of Participating Artists) record label', Classic Record Collector (Spring).
  • Rink, John. 'Chopin and the technique of performance', in Chopin in Performance: History, Theory, Practice, ed. Artur Szklener (Warsaw: Narodowy Instytut Fryderyka Chopina), 225-38.
  • Rink, John. 'Les concertos de Chopin et la notation de l'exécution', in Frédéric Chopin, interprétations, ed. Jean-Jacques Eigeldinger (Geneva: Droz), 69-88.

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2004

  • Clarke, Eric and Nicholas Cook (eds.). Empirical Musicology: Aims, Methods, Prospects (Oxford: Oxford University Press).
  • Cook, Nicholas. 'Making music together, or improvisation and its others', The Source: Challenging Jazz Criticism 1, 5-25. Portuguese translation in Per Music 16 (2007), 7-20.
  • Patmore, David. 'Rarissima: the use of personal cassette tape collections', Classic Record Collector (Autumn).
  • Patmore, David. 'Musical chairs: the future of musical performance on CD', Classic Record Collector (Autumn).
  • Patmore, David. 'Record buying in Helsinki', Classic Record Collector (Summer).
  • Rink, John. 'Analyzing rhythmic shape in Chopin's E major Etude', in Analytical Perspectives on the Music of Chopin, ed. Artur Szklener (Warsaw: Narodowy Instytut Fryderyka Chopina),125-38.
  • Rink, John. 'The state of play in performance studies', in The Music Practitioner, ed. Jane Davidson (Aldershot: Ashgate), 37-51.
  • Rink, John. 'The final score?', BBC Music Magazine, 30-3.

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