First special CHARM issue: Musicae Scientiae (Fall 2007)
The following sound examples and downloads relate to articles published in the first special CHARM issue of Musicae Scientiae, 'Between science and art: Approaches to recorded music', Vol. 11, No. 2 (Fall 2007); click here to view abstracts.
- Andrew Earis: An algorithm to extract expressive timing and dynamics from piano recordings (155-82)
- Nicholas Cook: Performance analysis and Chopin's mazurkas (183-208)
- Daniel Leech-Wilkinson: Sound and meaning in recordings of Schubert's "Die junge Nonne" (209-36)
- Renee Timmers: Vocal expression in recorded performances of Schubert songs (237-68)
- David N. C. Patmore and Eric F. Clarke: Making and hearing virutal worlds: John Culshaw and the art of record production (269-94)
Andrew Earis
An algorithm to extract expressive timing and dynamics from piano recordings
- (no audio examples)
Nicholas Cook
Performance analysis and Chopin's mazurkas
Daniel Leech Wilkinson
Sound and meaning in recordings of Schubert's "Die junge Nonne"
- Sound Example 1 (mp3 file)
- Sound Example 2 (mp3 file)
- Sound Example 3 (mp3 file)
- Sound Example 4 (mp3 file)
- Sound Example 5 (mp3 file)
- Footnote 11 download one (sv file)
- Footnote 11 download two (wav file)
- Sound Example 6 (mp3 file)
- Footnote 16 download one (sv file)
- Footnote 16 download two (wav file)
- Sound Example 7 (wav file)
- Footnote 19 download (sv file)
- Footnote 20 download (txt file)
Renee Timmers
Vocal expression in recorded performances of Schubert songs
- (no audio examples)
David N. C. Patmore and Eric F. Clarke
Making and hearing virtual worlds: John Culshaw and the art of record production
- (no audio examples)
Keith Potter, Geraint A. Wiggins and Marcus T. Pearce
An algorithm to extract expressive timing and dynamics from piano recordings
- (no audio examples)
Georgia Volioti
An algorithm to extract expressive timing and dynamics from piano recordings
- (no audio examples)
For information on Musicae Scientiae please visit the journal website.